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History

Although only fragments and isolated vessels survive, most scholars agree that the first fusing and kiln casting was done by the ancient Mesopotamians in the second millennium BC.  The early warm glass processes evolved from ceramics and metalworking techniques, with glass taking its place alongside gold and silver as a precious material.

Building on the Mesopotamian experience, the ancient Egyptians continued the development of warm glass processes.  By the latter half of the second millennium BC, they were proficient in both glass casting and fusing.  In addition, they developed the technique of working with glass rods (now called lampworking) and were even capable of cold-working glass using grinding and polishing. 

From this early flowering, warm glass techniques were adapted and improved by the Greeks and Romans, with the art reaching its early zenith from the third century BC until the birth of Christ.  One significant development was the technique of core-formed vessels, which involved wrapping or applying glass to a core vessel form and then heating the item to produce sophisticated mosaic or striated patterns.

The development of kiln-forming techniques was short-lived, due to the emergence of the new technique of 'glassblowing'.  This approach, which involved using a long rod (called a 'blow-pipe) to manipulate glass that had been heated in a furnace, was developed by the Romans.  Compared to kiln forming, it had the advantage of greater efficiency, repeatability, and lower cost.  It became the technique of choice and rapidly spread throughout the Roman Empire and beyond.

By the second or third century AD warm glass techniques were virtually forgotten.  They lay dormant until the 19th century, when they were rediscovered in Europe.  The growth of the craft arena as a vehicle for artistic expression, coupled with discoveries of ancient glass by archaeologists, let to attempts to recreate the methods used by the ancients.   These efforts led to the rebirth of kiln forming and the second flowering of the warm glass discipline.

One of the first centres for the rebirth of warm glass was the pate de verre movement, which began during the late 19th century in France.  This movement developed techniques for casting with a paste made from small glass particles. 

Eventually, The Bullseye Glass Company, formed by three glassblowers in 1974 in Oregon, played a significant role in the development of the warm glass discipline.  Bullseye led the first major effort to research and develop a line of 'tested compatible' glass made specifically for use in fusing.  It is due to their efforts that other glass manufacturers have recognised the importance of warm glass by devoting resources and support to glass artists.

For further information on warm glass art you may find the following books of interest:-

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